Whether you're in a restaurant, nightclub, health club, church, sports bar or wherever you need to manage video, audio and provide paging in a single zone application, the MPM1V and MPM1 mixers do it all.

Switch between three sets of RCA phono type composite video and stereo audio inputs with push buttons located on the front of the unit (video and audio with the MPM1V, audio only with the MPM1). Each input has its own volume control and there's a master volume and four band tone control section.

In addition, there are Priority Line and Priority Mic inputs, each with their own volume controls. Connect the jukebox to the stereo Priority Line Input and it will automatically override and mute the selected audio input when the music kicks in and ramp that input back up when the jukebox is done.

Then, connect a mic to the Priority Mic Input for paging (microphone not included). Just speak into your mic and the MPM1 immediately lowers or "ducks" the volume on the other inputs, including the Priority Line Input, and then gently ramps it back up when you're finished. Ducking amount is adjustable to 0dB (none), - 20db (lowered into the background) or -70dB (off). Internal jumpers allow reversing of these priority assignments so that the Priority Line Input mutes the Mic input - useful for emergency announcement capability.

An internal jumper allows you to switch off the ducking feature to one output side only. This allows you to keep the background music constant in the dining room while still ducking and paging in the waiting area.

Need more inputs? Connect an external stereo mixer like the Whirlwind MIX-5s to the MPM1's stereo buss.

Need to feed more zones? Connect a Whirlwind DA2 to the output and feed 4 stereo zones or 8 mono zones, each with its own volume control.

The output section features stereo RCA phono connectors and balanced XLRs. The XLRs can be set to stereo or mono operation with a rear panel button. Use the XLRs when set to mono to drive 70V line amps for ceiling speakers while keeping the RCAs in stereo.

The MPM1 and MPM1V are housed in a 1U steel chassis with removable rack ears.

This control adjusts the main volume of all outputs except paging, from a remote location. Install it behind the bar or at the hostess station. In an office installation, place it at a reception area, security desk or other convenient location.

The control is mounted on a single-gang stainless steel wallplate and connects with ordinary three-conductor hookup wire via solderless screw terminals.

The maximum audio level is set at the front panel of the MPM-1, which can be kept in a secure location or an optional security cover accessory (MPM1SC) is available to help you keep it all under control.

The MIX-8S provides 8 stereo balanced line level inputs in an economical, space-saving package for broadcast audio mix-minus and studio monitoring of multiple stereo feeds. Each channel has a front-panel volume control, with a single master volume control for the stereo output level. The unit also includes a headphone volume control and headphone jack for monitoring the stereo program mix. The stereo inputs and outputs are balanced or unbalanced line level via TRS 1/4" jacks.

The MIX-16 was designed for use in broadcast production, monitoring, and wherever large numbers of balanced inputs are required in a minimum amount of space. It provides 16 mono balanced 1/4" line level inputs in a compact, cost-effective 1U package. Each channel has a volume control, and the output level is controlled by a master volume control. The unit also includes a headphone volume control and headphone jack for monitoring the program mix. The output is balanced or unbalanced line level via two TRS 1/4" jacks.

The MIX-6 is a broadcast-quality, 1U mixer with 4 reference-quality mic pre-amps, pan controls, 48V phantom power, and low-cut switches.
Its unique input flexibility can solve almost any mixing problem. Inputs 1-4 are capable of any combination of mic or line level, XLR or 1/4", balanced or unbalanced signals.
Aux 1 is a stereo RCA pair, and Aux 2 is a stereo 1/4" TRS pair (balanced or unbalanced). Additionally, Aux 2 is switchable to remove it from the output buss and patch it directly to the headphone out for monitoring a return or cueing a source signal. XLR and 1/4" TRS outputs are provided, with the XLR output switchable for mic or line level operation, and have individual drive circuits for isolation. The MIX-6 features a switchable stereo limiter and the internal power supply can be set for either 115 or 230VAC.

This professional-quality, all-purpose mixer is ideal for sound contracting, broadcasting, sub-mixing, paging, and PA applications.

• 4 mono input channels with pan controls, each with XLR and 1/4" connectors which operate balanced or unbalanced. Rear switches select mic or line level for each input.
• Stereo Aux channel with 2 RCA input jacks for connecting a tuner, CD player, tape player, etc.
• Dual LED meters for visual indication of levels.
• Switchable phantom power for operating condenser microphones.
• Stereo XLR and 1/4" TRS outputs feature their own drive circuits for isolation and the XLR outputs are switchable for mic or line level operation.

The MIX-5 is a mono version of the MIX-5S. The stereo aux input actively sums a left / right input signal to mono while maintaining separation of the inputs.

This mixer is ideal for Audio/Video multimedia presentations, zone mixing, or adding matrix capability to multiple buss mixers. This unique 2U product accepts four separate balanced XLR line level input signals and applies them to four separate mixers. Each of these four mixers has four volume controls,--one for each of the input signals, and a Master Volume control. The four separate mix outputs are balanced line level XLRs.
Switches are provided to enable the MIX-44 to be used as two separate four-by-two matrices. The meter and headphone circuit can be switched to monitor any of the four master outputs.

This professional-quality, 1U mono mixer features built-in headphone monitoring and 6 inputs to 1 output (each with mic/line input selection). For precise control of gain, all controls have a broad 80dB operating range (-60 to +20). The MIX-61 is ideal for equipment operating at a wide range of output levels from a DJ mic to a CD player to a professional line level effects device.

The front panel headphone volume control and jack provide headphone monitoring of the mixed signal. The audio for the headphones is monitored pre-Master fader. An AC cord is included and a 120/230 VAC mains switch (screwdriver style) is mounted on the rear panel.